{"id":43,"date":"2026-05-21T14:22:13","date_gmt":"2026-05-21T14:22:13","guid":{"rendered":"https:\/\/de2.art.br\/site\/?page_id=43"},"modified":"2026-06-19T15:14:42","modified_gmt":"2026-06-19T15:14:42","slug":"eixos-de-atuacao","status":"publish","type":"page","link":"https:\/\/de2.art.br\/en\/eixos-de-atuacao\/","title":{"rendered":"Areas of Expertise"},"content":{"rendered":"<h2>Areas of Expertise<\/h2>\n\n\n\n\n\nDE2 Cultural Projects structures its work based on the fundamental pillars of museology, integrating preservation, research, communication, and management in a cohesive and strategic manner.<br>No <strong><a href=\"#preserva\">Preservation Field<\/a><\/strong>, It develops specialized actions for the conservation, restoration, and documentation of collections, ensuring the physical and symbolic integrity of cultural heritage. Research guides and deepens these practices, producing knowledge that qualifies the understanding of cultural assets and their contexts.<br>No <strong><a href=\"#comunica\">Communication Field<\/a><\/strong>, DE2 conceives and carries out curatorial projects and exhibitions that transform the collection into a public experience, promoting access, interpretation, and dialogue with different audiences. These actions are accompanied by educational strategies that broaden the cultural reach and impact of the projects.<br>Integrated management supports all stages, ensuring planning, efficiency, and continuity to the initiatives developed.<br><br><br>\n\n\n\n\n\n<h3><strong>Preservation Field<\/strong><br><\/h3>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li class=\"has-medium-font-size\"><strong><a href=\"#conserva\">Conservation and Restoration<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#gestao\">Technical Collection Management<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#infra\">Archive Infrastructure<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#forma\">Training and Development<\/a><\/strong><\/li>\n<\/ul>\n\n\n\n\n\n<h6><br><br><strong>Conservation and Restoration<\/strong><\/h6>\n\n\n\nDevelopment of preventive conservation actions and restoration interventions based on rigorous ethical principles, guided by respect for the material, historical, and symbolic integrity of cultural heritage.<br>The practices adopt criteria of minimal intervention, reversibility, and legibility, ensuring that any action taken is technically responsible, documented, and respectful of the heritage's authenticity, safeguarding its preservation and transmission to future generations.<br><br><br>\n\n\n\n\n\n<br><br><br><br>\n\n\n\n\n\n<h6><strong>Technical Collection Management<\/strong><\/h6>\n\n\n\nDevelopment of diagnostic processes, cataloging, historical research, documentation, and safeguarding of collections, guided by rigorous technical criteria and systematic methodologies. The work includes actions focused on the security, preservation, and protection of cultural assets, ensuring adequate storage conditions and physical and informational integrity. This way, the organization, traceability, and reliability of information are guaranteed, offering specialized support for the management, conservation, and enhancement of collections over time.<br>\n\n\n\n\n\n<h6><strong><strong>Archive Infrastructure<\/strong><\/strong><\/h6>\n\n\n\nDevelopment of complete projects for the creation and adaptation of technical reserves, ensuring optimal conditions for storage, conservation, and security of collections. Solutions are guided by technical and regulatory criteria, aiming for long-term preservation and the integrity of cultural assets.<br>The projects are structured with a focus on environmental control, space functionality, and the selection of materials suitable for conservation requirements. They integrate spatial efficiency and technical preservation requirements in a coordinated manner, including climate control and environmental systems, specialized furniture, and specific solutions for different collection typologies.<br>They also include the implementation of integrated security systems, with access control, continuous monitoring, and fire prevention and fighting systems, ensuring the complete protection of the collections and storage spaces.<br>\n\n\n\n\n\n<h6><strong>Training and Development<\/strong><\/h6>\n\n\n\nDevelopment of professional qualification programs in conservation, restoration, and collection management, guided by ethical principles and international best practices. The initiatives promote continuous technical updating, the strengthening of specialized skills, and the dissemination of fundamental knowledge for the safeguarding and responsible management of cultural heritage.<br><br>\n\n\n\n\n\n<h3>Communication Field<\/h3>\n\n\n\nCuration is the central axis of DE2's work on exhibition projects. Each exhibition is conceived from a consistent curatorial proposal, which guides all stages of the process\u2014from conception to the circulation of the works, including transportation, installation, and dismantling.<br>DE2's projects integrate curatorial rigor, technical excellence, and responsibility in heritage management, ensuring the material and symbolic integrity of works throughout the entire exhibition.<br><br>Our projects include:<br>\u2022 Development of curatorial work and exhibition narratives<br>\u2022 Exhibition design projects and exhibit design solutions<br>\u2022 Assembly and disassembly of exhibitions<br>\u2022 Specialized transport of collections in Brazil and abroad<br>\u2022 Technical monitoring at all stages of circulation<br>Application of preventive conservation protocols<br>\u2022 Management of specialized insurance for works of art and historical collections<br>&nbsp;<br>DE2 acts by ensuring that each work circulates with safety, technical rigor, and ethical care, respecting its integrity and preserving its historical, artistic, and symbolic values.<br><br><br><br><br>\n\n\n\n\n\n<h3>Exhibitions<br><br><\/h3>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li style=\"font-style:normal;font-weight:600\">Adir Sodr\u00e9 \u2014 The Collector's Gaze<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Curator: Daisy Estr\u00e1<br>Ol\u00edmpia Cultural Station \u2013 Ol\u00edmpia, SP<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li style=\"font-style:normal;font-weight:600\">Love You Entangle<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Curator: Daisy Estr\u00e1<br>Museum of Sacred Art of S\u00e3o Paulo \u2013 Tiradentes Metro Gallery \u2013 S\u00e3o Paulo, SP<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li style=\"font-style:normal;font-weight:600\">Go with faith<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Curated by: Daisy Estr\u00e1.<br>Museum of Sacred Art of SP \u00b7 Museum of Sacred Art of Ol\u00edmpia \u00b7 Museum of Sacred Art of Mato Grosso \u00b7 Hall of Waters SECULT, MT<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li style=\"font-style:normal;font-weight:600\">For a Heartfelt Conversation<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Curated by: Daisy Estr\u00e1.<br>Museum of Sacred Art of S\u00e3o Paulo \u2013 Tiradentes Metro Gallery \u2013 S\u00e3o Paulo, SP<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li style=\"font-style:normal;font-weight:600\">What is your cross?<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Curated by: Daisy Estr\u00e1.<br>Museum of Sacred Art of SP \u00b7 Museum of Sacred Art of Ol\u00edmpia \u00b7 Museum of Sacred Art of Mato Grosso \u00b7 Hall of Waters SECULT, Primavera do Oeste \u2013 MT<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":24,"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":309,"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/pages\/43\/revisions\/309"}],"wp:attachment":[{"href":"https:\/\/de2.art.br\/en\/wp-json\/wp\/v2\/media?parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}